2018 Production of Digital Projects @HSE

September 2018: Here you find the content connected to my MA course at Higher School of Economics in Moscow called Production of Digital Projects. Lectures, files, literature, and links are available in this page.

Course references 

RC Transmedia Studies_v02_Page_4

978-1-5225-3781-6_Gambarato.indd

BERNARDO, Nuno (2011). The Producers Guide to Transmedia: How to Develop, Fund, Produce and Distribute Compelling Stories Across Multiple Platforms. London: CR Entertainment Ltd.

BERNARDO, Nuno (2014). Transmedia 2.0: How to Create an Entertainment Brand Using a Transmedia Approach to Storytelling. Lisbon: Beactive Books.

DAVIDSON, Drew et al. (2010). Cross-Media Communications: An Introduction to the Art of Creating Integrated Media Experiences. Pittsburgh: ETC Press.

DENA, Christy (2009). Transmedia Practice: Theorising the Practice of Expressing a Fictional World across Distinct Media and Environments. PhD Dissertation. University of Sydney.

GAMBARATO, Renira R. (2012). Signs, Systems and Complexity of Transmedia Storytelling. In Estudos em Comunicação, n.12, 69-83..

GAMBARATO, Renira R. (2013). Transmedia Project Design: Theoretical and Analytical Considerations. In Baltic Screen Media Review, v. 1, 80-100. Russian version: [Russian version here]

GAMBARATO, Renira R. (2014). Transmedia Storytelling in Analysis: The Case of Final Punishment. In Journal of Print and Media Technology Research, 3, n.2, 95-106.

GAMBARATO, Renira R. (2016). The Sochi Project: Slow Journalism within Transmedia Space. In Digital Journalism, 4(4): 445-461.

GAMBARATO, Renira R. (2018). Russia: Interactive Documentary, Slow Journalism and the Transmediality of Grozny: Nine Cities. In Freeman, Matthew and Proctor, William (eds.). Global Convergence Cultures: Transmedia Earth, 206-226. New York and London: Routledge.

GAMBARATO, Renira R., ALZAMORA, Geane, TARCIA, Lorena, JURNO, Amanda (2017). 2014 FIFA World Cup on the Brazilian Globo Network: A Transmedia Dynamics? Global Media and Communication, 13(3): 283-301.

GAMBARATO, Renira R., and DEBAGIAN, Lilit (2016). Transmedia dynamics in education: The case of Robot Heart Stories. Educational Media International, 53(4): 229-243.

GAMBARATO, Renira R. and LAPINA-KRATASYUK, Ekaterina (2016). Transmedia Storytelling Panorama in the Russian Media Landscape. In Russian Journal of Communication, 8(1): 1-16.

GAMBARATO, Renira R. and MEDVEDEV, Sergei (2015). Grassroots Political Campaign in Russia: Alexei Navalny and Transmedia Strategies for Democratic Development. In Svensson, Jakob and Kumar, Vikas (eds.). Promoting Social Change and Democracy through Information Technology. Hershey, PA: IGI Global, 165-192.

GAMBARATO, Renira R. and MEDVEDEV, Sergei (2017). Transmedia Storytelling Impact on Government Policy Change. In Ibrahim, Yasmin (ed.). Politics, Protest, and Empowerment in Digital Spaces. Hershey, PA: IGI Global, 31-51.

GAMBARATO, Renira R. and TARCIA, Lorena (2017). Transmedia Strategies in Journalism: An Analytical Model for the Coverage of Planned Events. Journalism Studies, 18(11): 1381-1399.

GIOVAGNOLI, Max (2011). Transmedia Storytelling: Imagery, Shapes and Techniques. Pittsburgh: ETC Press.

JENKINS, Henry (2006). Convergence Culture: Where Old and New Media Collide. New York: New York University Press.

LONG, Geoffrey A. (2007). Transmedia Storytelling – Business, Aesthetics and Production at the Jim Henson Company. Master Thesis. Massachusetts Institute of Technology. Cambridge.

MITTELL, Jason (2006). Narrative Complexity in Contemporary American Television. In The Velvet Light Trap, n.58, 29-40.

PRATTEN, Robert (2015). Getting Started in Transmedia Storytelling: A Practical Guide for Beginners – 2nd Edition. London: CreateSpace

VON STACKELBERG, Peter (2011). Creating Transmedia Narratives: The Structure and Design of Stories Told Across Multiple Media. Master’s Thesis. State University of New York. New York.

Files

Final Exam Instructions

Transmedia Production Bible

Groups

Lectures

Lecture 1: Transmedia project structure + selecting platforms + non-traditional ways to tell a story

Lecture 2: Audience + business model + case studies

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